Awesome pawsome

Pet lovers have a lot to look forward to as the annual Pedigree & Whiskas Pet Show is all set to leave its paw marks in the city


DUBAI WILL once again be hosting the 20th annual Pedigree & Whiskas Pet Show on February 16th — an event that has easily become the region's most festive day for dog and cat lovers alike.

More than 30,000 visitors and 1,000 dogs are expected to attend the event, hosted by Nad Al Sheba Racing Club, in a day full of entertainment and fun for the entire family.

The Pet Show offers a complete line up of activities and competitions such as Pedigree classes as well as a fun obstacle course for the four-legged friends.

In these highly competitive events, dogs will be vying for prizes in categories such as Best In Show, Best Puppy In Show, and Crossbreed Best In Show.

As intelligence and discipline is tested, one of the most popular segments of competition will prove to be Dog Most Like Owner. In personality as well as appearance, judges will have the task of choosing Dubai’s greatest duo.

As in previous shows, there will a Kids Zone full of recreational games, demonstrations, and a Craft Village with stalls selling a multitude of goods promoting animal care. Children are encouraged to attend the event and learn all about how to maintain a happy and healthy pet.

Due to popular demand in recent years, there has been a refocus on cat care in the Whiskas Tent that will be set up displaying several rare cat species as well as other informative activities. Cat owners are discouraged from bringing their felines to the show due to safety concerns, but those who are willing will have the opportunity to make an adoption.

"The Pedigree and Whiskas Pet Show aims to raise the awareness levels of responsible pet ownership and educate people on the joys of animal companionship, all in a setting that is fun and interactive for the whole family," said Maya Theodory, pet care manager at Mars, the show's sponsors.

While the event is free of charge, patrons who choose to enter their dogs in competition will be charged a nominal fee of Dh30.

Proceeds from the event will benefit charities such as K9 Friends and Feline Friends, whose purpose is to shed light on proper pet care as well as to find adequate homes for Dubai’s growing orphaned pet population.

K9 and Friends currently have 122 dogs in need of a proper home, most of whom were rescued after they were abandoned. The charity stresses the importance of saving these dogs — animals they say bring companionship and love to people all over the region.

It is important to note that the Pet Show is not aimed solely at pet owners, rather it encourages all pet lovers to join in on the activities in support of a worthy cause. For individuals who love dogs but simply lack the resources and space to own and maintain one, a programme has been designed to give participants the opportunity to spend time with a dog once a week. Sponsor-a-walk will have booths set up throughout the arena for anyone who is eager to join.

As excitement grows in anticipation of the 20th anniversary of the Dubai Pet Show, event organiser Maya Theodory is amazed by its remarkable evolution.

"It shows how much Dubai is changing and how much enthusiasm there really is for pets in the Middle East," she says.

EVENT DETAILS

Event: The 20th annual Pedigree & Whiskas Dubai Pet show

Date: Saturday, February 16

Time: 8am - 6pm

Venue: Nad Al Sheba Racing Club

Entry: free; Dh30 registration fee for competitions

Pets allowed: Dogs (No Cats)

For more information go to www.dubaipetshow.com

Hairy Hamish goes from hamster wheel to cinema reel after in his own Great Escape

WHEN five-year-old Sarah Stokes smuggled Hamish the hamster to the cinema, little did she know he’d end up starring in his own Great Escape.
Excited by the screening of Alvin & the Chipmunks, the restless rodent jumped out of his owner’s bag and disappeared beneath the hundreds of seats in the darkened cinema.
The Pangbourne schoolgirl was so worried about telling anyone about returning hamster-less after Hamish’s illicit trip out that it was not until three days later that mum Holly Stokes realised he was not in his cage.
It was only after a top-to-bottom hunt through the house that young Sarah plucked up the courage to own up to smuggling Hamish to the movies.
After a flurry of phone calls to the Showcase cinema in Winnersh, staff found Hamish scurrying beneath the screen.
Mrs Stokes said: "We all thought he had escaped from his cage and was lost in the house but a few days later Sarah admitted she had taken him out for an adventure.
"Sarah's done a few things before but nothing to rival this."
She added: "Someone told me they have rat poison in places like the cinema so I thought he would have been dead but it seems they were animal lovers there."
Igor Geyer, duty manager at the Showcase, said: "I thought it was quite fun to find the hamster.I picked him up and put him in a box with plenty of paper to make him feel safe and comfortable.
"It was quite nice to have him as a pet for a short while but I'm glad we were able to unite the little girl with her hamster."
Hamish is now safely locked in his cage at hom.
"He's absolutely fine," said Holly.
"But Sarah is under threat of death from Rachel if she ever touches him again."

Art Review: 'Urban Living' gadgets electrify

By Mary Thomas, Pittsburgh Post-Gazette

Wood Street Galleries continues to be the top local spot to see artists who are working in innovative ways with current technology.

Curator Murray Horne -- past presenter of such headline-grabbing notables as Stelarc in a Web-fed performance and Eduardo Kac of fluorescent green rabbit fame -- batches five works under the title "Urban Living," a show inspired by the increasing numbers of Downtown residents who may be looking for "options for shaping their domestic and social lives."

Whether Golden Triangle homesteaders embrace the options exhibited or run for the nearest Ethan Allen store will probably depend upon their comfort level with wires and blinking lights. But don't underestimate the appeal of electronic gadgets: Witness the demand for Sony's robotic dog Aibo (which means "pal" in Japanese and is an acronym for Artificial Intelligence roBOt) when it was released in 1999.

The seven robotic dogs of French artist France Cadet's "Dog [Lab] 01," while sharing Aibo's animal aspects, have critical baggage that the latter doesn't harbor.

Cadet has altered the physical look and programming of her "dogs" to make commentary on actual biotechnology experiments being carried out in the scientific community. In Plexiglas pens lined with artificial grass, they move about, tilt heads, bend, stare with lighted eyes and emit barks or other sounds. Each comes with a chart detailing "genetic origin" and "characteristics" that explain pedigree and research application.

The genetic origin of the hybrid, whiskered "Copycat," for example, is 50 percent dog and 50 percent cat. Characteristically, this "new species combines the independence and cleanliness of a cat" with "the affectionate and playful nature of a dog" to create the perfect pet.

More controversial is "Dolly" -- whose mooing, horns and black spots on white hide emphasize the 15 percent cow in this mix that also fictively includes 50 percent dog, 30 percent ewe and 5 percent sheep. She's suffering from BSE, or Mad Cow Disease, and periodically her knees buckle and she falls over with a thump and whines before eventually righting herself. A study of Dolly's genetic makeup, Cadet proposes, could lead to the prevention of the DNA deterioration and side effects associated with cloning, such as susceptibility to Mad Cow, premature aging and the like.

Among the others, the two human ears on the back of "Flying Pig" reference Stelarc's implantation of a third ear onto his arm and "GFP Puppy" draws on the green fluorescent jellyfish protein Kac placed in his bunny (though this phosphorescent-coated specimen lacks the vivid glow).

Cadet's "dogs" have succeeded in generating reaction and discussion, raising awareness of the "brave new world" potential of transgenic manipulations but also the wrath of the British National Farmers Union, which felt the Mad Cow piece was insensitive to their grief.

For those who don't warm up to a plastic dog clunking about the house, perhaps an elf in a potted plant would appeal.

The twittering coming from five trees, some in leaf and some in bud, sounds like a flock of birds settling in for the night. But it's actually coming from small, solar-powered, "electronic life forms" (elfs) by Pascal Glissmann and Martina Hofflin that are placed amongst the branches.

Here, surely, the disjunct between man and machine is readily drawn. But, amazingly, these little packages of circuity have their own charm, illustrating how certain signals elicit deeply programmed responses in our own species.

Other works are Information Lab's sparkling "Cell Phone Disco" (bring your cell phone to light up these walls) and Roman Kirschner's mysterious "Root," an effervescing tank resembling a cross between a block of amber and a dim pond interior. It produces sound generated by the interaction between flowing electricity and crystal growth. Sabrina Raaf's smart "Translator II: Grower" is a small "rover vehicle" that paints rows of grass upon the wall, its lushness and height proportional to the amount of carbon dioxide emitted by visitors.

While such work has its problems -- batteries run down, switches break, a sensor that responds well in its original environment is sluggish in a less controlled space -- it's important to remember that the field is relatively new and that tweaks are part of the territory. As with experimental video of the 1960s, which has evolved to include sophisticated and arresting work, the future of electronic art is wide open and full of promise.

"Urban Living" continues through April 5 at 601 Wood St., Downtown. Hours are 11 a.m. to 6 p.m. Tuesday through Thursday, 11 a.m. to 8 p.m. Friday and Saturday. Admission is free; 412-471-5605 or woodstreetgalleries.org.

Counting update



At the end of her Artist of the Year exhibition at the Pittsburgh Center for the Arts, Delanie Jenkins' hair count was 14,264 strands totaling 131,0131/8 inches (10,918 feet, 3,639 yards, 2.07 miles). Jenkins had been "splitting and counting hairs" in performance during the run of her show. Having counted 11,280 strands totaling 105,3737/8 inches previous to opening day, she completed tallying the first of three ponytails clipped from her head "at the very last moment" of the final day. Jenkins plans to continue the count as part of a workshop she's conducting at Hendrix College in Arkansas this month, and with the help of interns in Pittsburgh after that.

Post-Gazette art critic Mary Thomas may be reached at mthomas@post-gazette.com or 412-263-1925.
First published on February 6, 2008 at 12:00 am